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10/29/2011 6:44:48 AM

I compose this review as a very impressed Credo newbie. Until now I had only heard Credo by name, I had until today actually never heard their music. This CD, their third is a shining example of 21st century progressive rock. It has all the hallmarks of classic prog shifting time signatures, exemplary playing, good varied material and solos none of which are overstated and entirely relevant to the feel and timbre of the music.

The album begins with a nice keyboard intro and were off 'Staring at the sun' a cracking opener in which an addictive chorus and some great guitar playing take us on a journey to a place on the edge of destruction. Mark Colton weaves a tale of apocalypse, his impassioned vocal enraged by what is happening around him. This is an excellent opening track with its it's blend of musical accessibility and a stern warning to us earthlings to think about our planet and our future.

The following track Cardinal Sin is another very strong track, this song discusses blowing the whistle on abuse . Its a superb rollercoaster of a listen, twisting moods an epic piece indeed. Intimate Strangers follows its a slower paced track with a heartfelt vocal performance embellished by some lovely keyboard and guitar work.

Next up is the instrumental title track Against Reason mystical and eastern influenced, it reminds me very much of another favourite instrumental track of mine Arboressence by Ozric Tentacles, absolute quality.

Insane follows with its themes of religious and political extremism. The band deliver a very strident and powerful musical backdrop (listen to the guitar in the latter part of the track) while space is allowed for the musical flexibility which is the cornerstone of the prog genre. Another great vocal performance gets the message across no problem The theme and performance of this song are very strong, once again Credo makes you think.

A shorter track Reason to Live brings the pace down a little but this doesn't mean that any power is lost. This is a nice melodic song that makes you feel that at some point the music will break loose but the band keep it restrained achieving a beautiful warm musical atmosphere.

Conspiracy (MCF) deals with exactly that, conspiracy theories Did man walk on the noon? What happened at Roswell? How did Marilyn die? This ten minute track is a full on album highlight featuring another great vocal and excellent keyboard and guitar work throughout.

The album reaches its peak with the epic closing track Ghosts of Yesterday. Not as instant as some of the other tracks, it starts off in a laid back mode gradually building to an anthem like finale and features some really nice acoustic piano playing mid-way through the track. This track will benefit from repeated listens.

A very good ending to a very good album.


J.W. Godbluff,


Playing time 69:51 mins

festival Music CD 201104CD


10/9/2011 9:52:03 AM

Well, Comm finally arrived at Progmeister towers and not a moment too soon.  The package under scrutiny here is the 180g vinyl LP which contains three of the major pieces from Comm and includes a cd of the whole album with two bonus tracks.  Also included is Andy Tillison’s intriguing solo album Murk. At £29.99 including postage it may seem by some to be a little steep, however this is a high quality collection of merchandise and I fail to see anyone being disappointed. We can confirm to you from the outset that after listening to the CD and then the vinyl album, the latter is simply sublime.

Everything about this album has been thought long and hard about. From the amazing art work courtesy of the extremely talented Ed Unitsky, who is without doubt the modern day Roger Dean to the internet campaign drip feeding tasters and information about the albums content and meaning.  Even after hearing hints of what was to come, the experience of listening to the album in its entirety was a revelation. Having watched the interviews on youtube with Andy Tillison’s explanation with regard to the various tracks on the album it became evident that no such explanations were necessary, such is the clarity of the lyrical content.

Better still than all of this was the music itself. This is full on, high octane music for those who love the highs and lows of what I would shamelessly refer to as proper prog. Yes folks it’s all here, ripping synth solo’s, blinding guitar excursions with a big hearted sound. Keeping with tradition the album opens with “The Wiki Man”, a twenty minute epic that to be honest blew my socks off. Moving through six different segments beginning with Prologue emanating CB radio frequencies at you to Andy Tillison’s delightfully rich sounding synthesiser flourishes and organ to the lightening attacks of Luke Machin’s million miles an hour guitar throughout the whole of The Wiki Man suite.

Moving on through the powerful Wiki Man into “Competition Watershed”, Competition winner Andrew Roussak plays an inspiring piano/synth solo which he submitted to the band as part of a competition they had set for musicians to record a solo to be included on Comm. A deserving winner if ever I heard one. “Edit Me Out” slows the pace down for a brief moment just long enough for you to get your breath back before launching into a very Greenslade like organ and Mellotron outing passing swiftly through “Car Boot Sale” and reprising the main theme.

“The Mind’s Eye” is a song I had encountered before whilst watching Tangent’s superb “Going Off On Two” DVD which I would also heartily recommend if you haven’t yet already bought a copy. I can describe this song as a romp. It really gets the feet tapping. I would recommend however that air guitar should not be attempted whilst listening to this song; you could do yourself an injury. A vast range of styles and influences are displayed throughout this amazing song and I hear a lot of jazz creeping into this and other songs on the album.

Jonathan Barrett takes a turn with vocal duties on “Shoot Them Down”, a moving ballad about the real people affected by Cameron’s austerity measures. I must admit to being moved by this beautiful song and it brought home the decay in our towns and cities due to the incompetence of overpaid bankers who will never share the poverty they have caused. This is very much a blues song methinks, Barrett’s poignant lyrics set against a steely organ and Luke Machin’s soulful guitar really hits the spot and demonstrates the dexterity of each member of the band.

“Tech Support Guy” is very much a caravan pastiche if ever I heard one. It did cause me to smile whilst listening to Andy Tillison’s enunciations bemoaning the lot of those saintly individuals frequently  called upon to right all the wrongs of our information technology systems. Guitar and organ interplay are nothing short of astounding and had me performing my Keith Emerson impression. Thoroughly enjoyable, a light hearted view of the tech support guy’s life.

On to more serious matters “Titanic Calls Carpathia” consolidates the whole album highlighting just how much communication systems have evolved since that fateful night when Titanic collided with an iceberg.  “Titanic Calls Carpathia is like the opening song divided into six parts. The opening “Millpond” is a haunting prelude created by the talented Theo Travis who played flute and sax throughout the album. Here he and elsewhere he gives an almost orchestral scale to the piece. Giving way to the main theme of the song “Titanic Calls Carpathia” highlights the futility of communication as it was then.

The plight of Apollo 13 expressed in “Lovell Calls Houston” further demonstrating how important a simple thing like a two way radio is. I found myself using the beautiful full sized booklet as a programme whilst listening to Comm which contains interesting facts heightening the enjoyment of the listening experience even further. Theo Travis’s sax and Jonathan Barrett’s fretless bass give an almost west coast feel to musical interlude between “Lost Souls Calls Antares” and “Fire In Your Fingers” which moves into full on jazz fusion. The song melts into the thought provoking conclusion “Earth Calling Anyone”.

Bonus tracks on the CD only include “Spirit Of The Net” and a cover of the Genesis classic “Watcher Of The Skies”. “Spirit Of The Net” was originally recorded by Andy Tillison as a demo for the Comm project. It’s a rocky little number that would be right at home on a Bryan Adams album. It lacks the depth and breadth of the main recordings though enjoyable none the less. “Watcher Of The Skies” is performed for fun utilizing the oral skills Pete Greenwood and Phil Bernia both members of Yes tribute band SEYES. Some may view this as heresy; I would council that it should be treated as it was intended as a bit of fun.

Comm represents The Tangents best and most powerful work to date. The CD is beautifully packaged complete with a gatefold sleeve containing a superb 20 page booklet. The vinyl album contains the full sized version condensed version of the booklet and for the optically challenged such as myself is a joy to own and use. It also makes the best of Ed Unitsky’s magnificent art work.  I was pleased to read as part of the acknowledgements a reference to one of my favourite musician’s martin Orford. Yes martin, I fully agree with Mr Tillison, “the world still needs you despite COMMania”.

Whichever package of Comm you go for I can guarantee that you won’t be disappointed. However, if you have a decent turntable you owe it to yourself to get a copy of Comm to play on it. I wouldn’t hesitate for too long though. I have a feeling they will sell pretty fast. This is an essential purchase for anyone who adores full on prog. It's worth spending a little extra and getting hold of a copy of Andy Tillison's solo project Murk. If you like electronic music you love it. But, that's for another day......







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